By Ulrike Küchler, Silja Maehl, Graeme A. Stout
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Extra info for Alien Imaginations: Science Fiction and Tales of Transnationalism
While this feels right to me, I also want to suggest that this nearness has not yet attained the essential insidiousness of the ordinary. Both the vampire and the Martian are extraordinary in ways that things thematized by the British Brothers League and the popular press are not: smells, sounds, behaviors. These, especially sounds, have access to us in a way that establish that the invasion, the end of the world, is always already happening. It always was. Having invoked psychoanalysis, it is important to note that in his own pass over such matters—I am thinking here of Civilization and its Discontents—Freud tied what I have called a structural anxiety to Schuld, guilt, or as Nietzsche always insisted guilt/debt (see the second essay of On the Genealogy of Morality).
As Thierry Kuntzel might have insisted (1980: 8–25), we have just seen the entire ﬁlm: a creature descending from the sky has been reduced to goo on an utterly ordinary avatar of the cinema, a windshield. Be that as it may, this windshield belongs to a truck smuggling Mexicans across the Mexico-US border at night. As if anticipating the current impasses of the debate over immigration reform in the United States, the truck is almost immediately intercepted by the border patrol. As the patrol begins to search the truck, their work is interrupted by the arrival of a second car, this one containing two “men in black,” one of whom is Sonnenfeld in a cameo walk-on.
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Alien Imaginations: Science Fiction and Tales of Transnationalism by Ulrike Küchler, Silja Maehl, Graeme A. Stout